46. A Husband is Unnecessary: Yoshiya Nobuko & Japanese Girls' Culture

This episode has EVERYTHING: gay haircuts, yearning, rage against the patriarchy, they were *roommates*....let’s talk about the magical world of Yoshiya Nobuko, girls’ culture, and lesbian fiction in Taishō era Japan!

Leigh is joined by guest host Erica Friedman, speaker, editor, researcher and an expert on all things Yuri. Yoshiya Nobuko was an extremely popular writer in 20th century Japan who lived with her beloved female partner for 50 years and her legacy continues today as “the Grandmother of Yuri.”. The tropes and storylines established in her writing can still be seen today in queer girls stories in and outside of Japan– get ready to learn all about modern Japan’s very own Sappho. After all, it’s all in the yearning.

Erica Friedman (she/her) holds a Masters Degree in Library Science and a B.A. in Comparative Literature, and is a full-time researcher for a Fortune 100 company.

She has lectured at events around the world and presented at film festivals, notably the San Francisco Lesbian and Gay Film Festival and the London Lesbian and Gay Film Festival. She has participated in an academic lecture series at MIT, University of Illinois, Harvard University, Kanagawa University, and others.

Erica has written about Yuri for Japanese literary journal Eureka, Animerica magazine, the Comic Book Legal Defense Fund, Dark Horse, Del Rey and contributed to Forbes, Slate, Huffington Post, Hooded Utilitarian, Anime News Network and The Mary Sue online. She has written news and event reports, interviews Yuri creators and reviews Yuri anime, manga and related media on her blog Okazu since 2002.

She is the author of a cyberpunk novella and is the author of By Your Side: The First 100 years of Yuri Anime and Manga, published by Journey Press.

Locate Erica upon the internet:

A Closer Look at Yoshiya Nobuko

We’ve gathered some photos of Yoshiya (and friends) throughout her life for you to check out here!

Young Yoshiya

Yoshiya and Monma Chiyo: Wife for Life!

Yoshiya and Monma fell in deep love the moment they met, and their letters to each other reveal so much about their dynamic, we had to share them here!

Yoshiya to Monma, 1923:

Beloved Chiyo
I will love you no matter what
I do not wish to make you lonely
Nor do I want to be lonely
I want you to be the source of my strength
And, if you will let me, I would like to be the source of your strength

May 23, 8:30 pm
Arriving home soaking wet from the rain
Nobuko


Monma to Yoshiya, 1923 (she addresses Yoshiya as onesama, or "older sister," a popular euphemism then and now for one half of a lesbian couple)

Beloved elder sister. I am unspeakably lonely when you leave. My heart becomes hollow, and all I am able to do is to sit in a chair and stare blankly at the wall. It’s now nighttime, isn’t it? As I wrap my unlined black kimono around my bare skin and adjust the hem, my body is aroused by feelings of longing [for you]; instead, what stretches confusingly before my eyes is dusty reality. Ah, this evening. My heart finds no consolation in this evening dream of mine or in reality. My heart sinks from a heavy sadness. If only on this night we were together in our own little house, lying quietly under the light of a lantern, then my heart would gradually warm and neither would you be so sad. I am so sad that I won’t be able to see you either tomorrow or the day after. Let us please meet again on Tuesday. Farewell for now; I am forever yours. Why have I written such things, I wonder? Please don’t worry too much about me. Goodbye, and please take care of yourself.

May 11, midnight
Thinking of my elder sister.
Chiyoko

Monma to Yoshiya, February 1925:

I can only think of how soon we can arrange to live together. There’s nothing I need more than your warm embrace. It is unfortunate that we are not a male and female couple, for if you were a male, our union would be quickly arranged. But a female couple is not allowed. Why is it that [in our society] love is acknowledged only by its outward form and not by its depth of quality — especially since there are so many foul and undesirable aspects to heterosexual relationships?

And Yoshya’s response:

Chiyo-chan. After reading your letter I resolved to build a small house for the two of us…Once it is constructed, I will declare it to be a branch household (bunke), initiate a household register [listing, by law, all family members], and become a totally independent household. I will then adopt you so that you can become a legal member of my household (adoption being a formality since the law will not recognize you as a wife. In the meantime, I aim to get the law reformed). We will have our own house and our own household register. That’s what I’ve decided…We’ll celebrate your adoption with a party just like the typical marriage reception — it will be our wedding ceremony. I want it to be really grand. We will ask Miyake Yasuko-san and Shigeri-san [the couple who had introduced them] to be our go-betweens. I wonder what kind of wedding kimono would look best on you?

Yoshiya in WWII, part of the Pen Butai propaganda corps

Yoshiya Nobuko’s work is not without criticism, and we must mention that during the second world war, she was part of a journalistic propaganda unit of the Japanese government called the pen butai, a group of writers who traveled through areas occupied under Japan’s imperial campaign and control, including China, Manchuria, Indonesia, Thailand, Vietnam, and others, writing dispatches published in Japanese newspapers. There are very few photos, but we were able to find a few.

Yoshiya with Kan Kikuchi, Eiji Yoshikawa, and others being welcomed at tokyo station

Yoshiya with Kan kikuchi and others outside of a plane in manchuria, during her time in the pen butai

Older, Delightfully Butch Distinguished Yoshiya

Shojo Bunka and the covers of Yoshiya’s works

Yoshiya was writing at a time when girls’ magazines were hugely popular and instrumental in turning shojo bunka into an entire subculture. Here’s some covers of some popular shojo magazines and Yoshiya’s works!

On the left, a 1908 issue of Shōjo sekai (少女世界, "Girls′ World"), one of the first girls’ magazines in japan. On the right, a cover of sarah frederick’s translated version of “Yellow Rose”, one of the stories in Yoshiya’s hana monogatari (花物語 "Flower Tales")

cover of hana monogatari (花物語 "Flower Tales")

Cover of “Two Virgins/Two Maidens in the attic”, yaneura no nishojo, 1919

Yoshiya Nobuko Memorial Museum

Yoshiya and Monma’s house in Kamakura was turned into a museum after Yoshiya’s death, containing memorabilia from her life and preserving her study and living spaces. It’s open twice a year.

And lastly, check out Erica’s conversation with Sarah Frederick all about Yoshiya for Yuricon!

 

If you want to learn more, check out our full list of sources and further reading below!

Online Articles & Resources:

Books and Print Articles:

Videos

Until next time, stay queer and stay curious!

40. Real-Life Xenas: Warrior Women Across the World

Happy 2022 and welcome to another episode of History is Gay! This time, we’re picking up where we left off with Meghan Rose and S.C. Lucier in our discussion of Amazons and real-life warrior women in history! It’s not just the Greco-Roman world that marveled at fierce, strong female fighters, but all over the world! This episode, we’re visiting Benin, Africa to learn about the real-life dora milaje of Black Panther fame, the gender-bending Dahomey Amazons; badass female samurai defending their homesteads in Japan, and Viking shieldmaidens and mythical Valkyries– who may have been a third gender? Strap-in for a whirlwind worldwide tour of gender transgression and badass real-life Xenas we want to see all the movies about!


But first, let me introduce to your fantabulous guest hosts for this episode, Lucier&Rose!

 

S.C. Lucier

S.C. “Luci” Lucier is an SDC director, writer and librettist. A former member of SCDF Observership Class emerging directors, Lucier is a graduate of Marymount Manhattan College’s Theatre Directing program and recently completed a master’s in Theatre/Museology History at The Graduate Center (NYC). Director: HELD: A Musical Fantasy (Fringe 2016, NYMF 2018). Associate Director: Kerrigan-Lowdermilk’s The Bad Years, the new immersive house party musical. Director: multiple Shakespeare at Hip to Hip Theatre Company, Midsummer 2019. Regular collaborator at Jennifer Jancuska’s (Hamilton) The Bringabout, designed at Joyce Theater for Richard Move’s The Show (Achilles Heels) in which Debbie Harry performed, designed at Lincoln Center’s Clark Studio Theatre, toured on the production team of Martha Graham Dance Company, stage-managed Cape Dance Festival (MA), performed at Baryshnikov Arts Center on roller skates, among others. Lucier captains the championship Gotham Roller Derby team, archives Sally Silver’s choreographic work for NYPL, and is the first staff member of American LGBTQ+ Museum (NYC).

Meghan Rose

Meghan Rose is a composer and musician. She is classically trained in piano, taught herself guitar at 16, joined a ska band in college at University of Wisconsin-Madison and has hopped from band to band and genre to genre ever since. Currently she plays bass in NYC bands Monte and LoveHoney, and in various shows around the city, sometimes even impersonating Courtney Love, Janis Joplin, and Lindsey Buckingham. She has acted as a vocal instructor, bass teacher, and band coach for both the Madison and NYC chapters of Girls Rock Camp. Rose was a music director for the Bartell Theater (Madison) for 6 years, and won awards for best music direction for Xanadu and Bare: A Pop Opera. Written scores include Z-Town: The Zombie Musical (Fringe 2012), an original rock musical called Alice based on Alice in Wonderland (Bartell), Held: A Musical Fantasy (Fringe 2016, NYMF 2018).

You can learn more about S.C. Lucier, Meghan Rose, and Xena: Warrior Musical - The Lost Scroll:

You can purchase and download the entire concept album for Xena: Warrior Musical on Bandcamp!


Amazon-Like Women in Africa: the mino/agojie, also known as the Dahomey Amazons!

This fierce military regiment of women warriors of the Kingdom of Dahomey (present-day Benin), originating in the early 19th century, were truly formidable opponents and carry their own impressive stories and legends passed down to current-day Beninese locals!

Illustration of mino women by Chris Hellier

Group of veteran Amazons at a summit meeting held in Abomey, the capital of Dahomey, in 1908

Seh-Dong-Hong-Beh, a mino leader holding the decapitated head of an enemy, illustrated by one of the missionary visitors who wrote 18th and 19th century accounts, Frederick Forbes, in 1851.

Magazine cover depicting the last king of independent Dahomey, Behanzin, flanked by mino attendants and bodyguards.

The Dahomey Amazons around 1890.

A group of Amazons on their trip to Paris, assumed in the late 1800s.

Unknown mino warrior, photographed near the end of the kingdom.

King Gezo, who expanded the female corps from around 600 women to as many as 6,000

Illustration from one of the missionary accounts, depicting a parade of mino after battle displays, severed heads of their enemies displayed on the tops of the walls.

As mentioned in our Pop-Culture Tie-In, Lupita Nyong’o visited Benin in 2019 for a BBC documentary called Warrior Women, in which she went into the entire history of the Dahomey Amazons! It is available online on BBC4’s website, and if you don’t live there, you can use a VPN to check out the full documentary, it’s absolutely worth it! But we have a wonderful clip here for you:

And here’s another video on the Dahomey Amazons that has some great information:

 

Let’s hop over to Japan and take a look at female samurai warriors, the onna-bugeisha and onna-musha!

The image of the samurai that has been taken hold in history and pop-culture is an extremely masculine one, but there were several female warriors in the bushi throughout Japan’s history that were just as significant as the men, with the specific role as defensive fighters (or if you were an onna-musha, going off to fight and joining the samurai)!

An onna-musha named Ishi-jo wielding a naginata, a curved pole-arm sword made specifically for women which allowed them to fight nimbly and take advantage of distance combat. Illustrated by Utagawa Kuniyoshi, 1848.

The first onna-bugeisha, the legendary Empress Jingū, depicted when she set forth in Silla (modern-day Korea. Painted by Tsukioka Yoshitoshi, 1880. Credit: Waseda University Theatre Museum

Empress Jingū is also the first woman in Japanese history (legend or otherwise) to be featured on a banknote!

Tomoe Gozen, one of the most well-known and respected onna-musha, and considered Japan’s first general. She decapitated an enemy by wrenching his head against the pommel of her saddle! Painted by Kangetsu Shitomi. Collection of Tokyo National Museum

Another onna-musha and contemporary of Tomoe Gozen, Hangaku Gozen. Painted by Yoshitoshi. Credit: US Library of Congress Prints and Photographs Division

Tomoe Gozen at the Battle of Awazu

And then here we have some pictures of Nakano Takeko, and we couldn’t resist showcasing this quote from one report during the siege of Aizu:

With her tied-back hair, trousers, and steely eyes, [she] radiated an intense 'male spirit' and engaged the enemy troops, killing five or six with her naginata.”

A recreated photo of Nakano Takeko, onna-musha of the Aizu Domain, who fought and died in the Boshin War in 1868. She led a group of female warriors called the joshitai, or Girls’ Army, during a renaissance and essentially last-stand of the onna-bugeisha!

Another image of Nakano Takeko.

A photograph of an unknown onna-musha, often misidentified or attributed to Nakano Takeko. This woman is likely an actress, but she still looks SUPER cool!

Statue of Nakano Takeko at Hōkai-ji shrine in Aizubange, Fukushima. Today, many naginata schools are even named for her.

And finally, were there real life Lagerthas out there in the Norselands? We’ve got some Viking women warrior graves and historical artifacts that say so!

Strong female warriors have shown up for centuries in Norse and Scandinavian Viking sagas, depicting fierce shield maidens and mythical Valkyries who fly on horses and escort fallen men to the halls of Valhalla. And recent discoveries of warrior graves throughout Sweden and other northern European territories are showing that they may have been less myth than originally thought!

An image stone from Sweden shows a female figure bearing drinking horns to a rider on an eight-legged horse (what up, Loki), very well depicting a mythical Valkyrie.

Another picture stone from Stenkyrka Parish (Lillbjärs III), depicting a valkyrie guiding a fallen warrior to Valhalla.

Mythical valkyries Hildr, Þrúðr and Hlökk bearing ale in Valhalla (1895) by Lorenz Frølich

The Norse Sagas and histories, like the Saxo Grammaticus and Gesto Danorum, tell the story of several shieldmaidens like Hervor, depicted here as she retrieves Tyrfing, the magical sword of her dead father, on the island of Angantyr. Painted by Christian Gottliebe Kratzenstein

Silver figure of a woman with a drinking horn, found in Birka, Sweden

Various Viking-age jewelry depicting valkyries!

Figurine found in the village of Hårby, on the island of Funen in Denmark. Thought to be dated around 800 BCE and the Viking age, and this one is unique in that it’s one of the few found that are 3 dimensional! She is thought to depict, obviously, a valkyrie, but other possibilities are a shield maiden or the Norse goddess Freya.

Illustration of the infamous Birka, Sweden viking warrior grave, labeled BJ 581 by Hjalmar Stolpe in 1889. In it, you can see this warrior was buried with not one, but two horses, multiple weapons, and even a gamjng set, indicating that she was an officer! Originally thought to be a male grave, osteological and DNA evidence from 2014 and 2017, respectively, confirmed the skeleton was female!

Weapons found in the BJ 581 Birka, Sweden gravesite.

If you want to learn more about all the various warrior women from this episode, check out our full list of sources and further reading below!

Books and Print Articles:

  • “The Valkyrie’s Gender: Old Norse Shield-Maidens and Valkyries as a Third Gender” by Kathleen M. Self, Feminist Formations, Spring 2014, Vol. 26, No. 1

  • “Ladies with Axes and Spears” by Santa Jansone, Medieval Warfare, 2014, Vol. 4, No. 2, Theme - Queens and Valkyries - Women as warriors (2014, pp. 9-12

  • “The ‘Amazons’ of Dahomey” by Robin Law, Paideuma: Mitteilungen zur Kulturkunde, 1993, Bd. 39 (1993), pp. 245-260

Online Articles/Resources:

Until next time, stay queer and stay curious!